Walking into the Gloucester workshop of cabinetmaker John Cameron is a little like entering a wormhole into his busy, buzzing, creative mind. One wall is papered with detailed pencil sketches of chairs and chests of drawers. Another wall is a patchwork of black-and-white photographs of kelp and stark-looking three branches against a gray sky. A black piano is pushed into a little side nook, and a guitar sits atop a table. The New Orleans blues of Dr. John is reverberating among the tools and in-progress projects as Cameron works. Stacks of leather-bound sketchbooks are filled with notes and ideas and drawings; another one might be tucked
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