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Near the far end of Gloucester’s boulevard, a stretch of waterfront road that wraps around the city’s western harbor, stands a bronze statue. A woman, her feet braced against the wind, hoists a baby in her left arm and rests her right hand on the back of a young boy. She gazes seaward, watching, it seems, for the return of a fishing boat carrying her husband, her father, her brother.  The statue, the Fishermen’s Wives Memorial, does not draw the same attention as the iconic Man at the Wheel a few minutes’ walk to the east. But for Lyn Burke, the statue is at least as important as its more famous counterpart.  “These
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